All Ambrogio Lorenzetti Oil Paintings

Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.
 

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Ambrogio Lorenzetti Madonna Enthroned with Angels oil on canvas


Madonna Enthroned with Angels
Madonna Enthroned with Angels
Painting ID::  52140
  1340 Tempera on wood
  1340 Tempera on wood

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Ambrogio Lorenzetti Altarpiece of St Proculus oil on canvas


Altarpiece of St Proculus
Altarpiece of St Proculus
Painting ID::  52141
  1332 Tempera on wood, 167 x 56 cm
  1332 Tempera on wood, 167 x 56 cm

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Ambrogio Lorenzetti St Michael oil on canvas


St Michael
St Michael
Painting ID::  52143
  1330-35 Tempera on wood, 110,5 x 94,5 cm
  1330-35 Tempera on wood, 110,5 x 94,5 cm

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Ambrogio Lorenzetti Madonna of Vico l'Abate oil on canvas


Madonna of Vico l'Abate
Madonna of Vico l'Abate
Painting ID::  52355
  1319 Tempera on wood, 148,5 x 78 cm
  1319 Tempera on wood, 148,5 x 78 cm

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Ambrogio Lorenzetti St. Nikolaus-barmhartighetsgarning oil on canvas


St. Nikolaus-barmhartighetsgarning
St. Nikolaus-barmhartighetsgarning
Painting ID::  53654
  mk234 mk234 ca1332 30x20cm
  mk234 mk234 ca1332 30x20cm

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     Ambrogio Lorenzetti
     Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.

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